Devhara
Artist Statement
Devhara, (“house of idols” in my native language of Marathi) is a multimedia body of work that weaves together three generations of women: my mother, my daughter, and myself. And it grapples with how my work can or should reflect my migrant identity. I investigate these topics through my mother’s objects of worship, which are imbued with political realities and tangible memories and which to me have become objects of mourning. I explore the resonance of these items from my mother’s home altar as significant forms while inserting our bodies (my daughter’s and mine) to create abstract images/meditations/visual prayers. In this work I abstract the objects of my mother’s devhara not as a negation but as an act of creation, along with materials of my mother’s daily rituals resulting in new aesthetics, new critical concepts, new subject matter, and new moral imperatives.
Soha and Objects of Worship
Rice
Stacked objects - Soha's and My hand
Detail - 3. Stacked objects - Soha's and My hand
Inventory of objects of mourning
Detail - 5. Inventory of objects of mourning
Flour Cup - Inverted Object of Worship
Objects of Worship
Detail #1 - Objects of Worship
Detail #2 - Objects of Worship
Detail #3 - Objects of Worship
Detail #4 - Objects of Worship - Detail #6
Making the cyanotypes on my front porch
Making the cyanotypes under shoa's cherry tree
Flour